Still Sovereign

Title: LANππ°Ν ππ° Dictionary by Alex Deroin
The LANππ°Ν ππ° Dictionary is a collection of notes by Arita Jump, a respected historical figure in Osage History. That was then purchased by the artist through an estate sale, and now through the Dadaist practice of Readymades. Is elevating the function of this dictionary to the status of art by simply choosing to designate it as such. To become a vehicle for public displays of thoughts on the topics of Indigenous Data Sovereignty, Language Preservation, and Survival. The artist asks that only Osages physically interact with these articles of language expression. That will be upheld by internal dialogue with the audience. As an act of sovereignty. For our non-Osage audience, we simply ask you to appreciate this piece.
Dimensions: 12X5
Medium: Readymade

Title: The Long Walk Home by Billy Hensley
The painting features the silhouette of a young girl walking alone across an open landscape, her small figure set against a vast, fading horizon. Though her form is simple, it carries the weight of history. Her quiet stride speaks of loss, resilience, and remembrance.
Dimensions: 40x16
Medium: Acrylic, glass beads on canvas
Price: $1,200

Title: Not a Designated Centennial Project by Brent Greenwood
Dimensions: 32.5x40.5
Medium: Mixed Media Assemblage
Price: $7,500

Title: Generational Voices by Carly Treece
Dimensions: 30x40
Medium: Oil on Canvas
Price: $3,000
Recreation of Joan Hill's Women's Voices at the Council.

Title: MΔ―Pi “Good Blanket” by Hinglu Huber
Medium: Traditional ribbon work blanket made on American Wool Broadcloth and moire taffeta.
This blanket represents the connection between our people and the land. The designs and colors come directly from natural influences, and is shown with pride in this piece.

Title: Our Roots Connect Us by Jessi Sands
Dimensions: 9'x3'x3'
Medium: Stoneware, Silver Wire, Deer Leather Cordage
Price: $1,500
My family has lived in Oklahoma for over 186 years after being removed from our ancestral lands in the southeast. Growing up, I heard stories of wild green onions (tafvmpuce), outside of natural germination, were planted here after being brought to Oklahoma by Indigenous people on the Trail of Tears during the removal era. Wild green onions are often deemed as weeds in western society when it comes to maintaining yards. This leads to the harsh removal of wild onions from the land, but usually, they are unsuccessful because once the bulbβs roots are firmly planted, it will thrive year after year. I use this as a parallel to represent my family and ancestorsβ resilience, as we were once removed from the land but continue to thrive despite the harsh conditions we have endured. The tafvmpuce (wild green onions) symbolizes each generation of my family who have lived here in Oklahoma, all connected by our roots. I am the 7th generation living on my mvskoke reservation, and my children are the 8th in the center, wrapping around each other. The green onion forms are tattered, cracked, and torn as if scars or wounds from the generational passing on of colonial and generational trauma that comes from assimilation, genocide, and removal. The downward spiral of the forms represents the cyclical nature of life, what gets passed down, lost, repeated, changed, and healed. As someone who has recognized the century-long generational cycle of hurt, I am choosing what to pass on that fosters growth instead of numbing and surviving. The forms that represent my children in the center are whole, unbroken, twisting together as they grow, supported by generations before them as their roots take hold.

Title: Quantum's by Jeremy Thompson
Dimensions: 16x20
Medium: Acrylic on Canvas
Price: $1,500
Can you put an expiration date on identity? The roots of blood quantum for indigenous people always had the intention of erasure. With every generation, we grow closer to expiration. This Andy Warhol inspired pop art painting uses the classic branded soup can to provoke thinking about the origins and reasons for blood quantum.

Title: Emvlostetowis
by Marly Fixico
Dimensions: Skirt Length 38" Cape Length 25"
Medium: Textiles
Seminole Patchwork Dress with a skirt with a cape. Made from cotton fabric by NoHeart Designs 2026 (Marly Nicole Fixico)

Title: The Seeds
by Randi Narcomey
Dimensions: 3'x6.8'
Medium: Mixed Media Textile/Fabric Art
Price: $6,000
The Seeds is a conversation between our ancestors and present-day visitorsβa representation of a first review of growth and the sprouting of our lives from the deep constraints of what existed. It was important to use traditional, familiar patterns that are still found but rarely seenβespecially in this format. The light color on light color is a commentary on what was hidden yet not forgotten, especially in the spiral mound design and the Seminole patchwork. The patchwork pattern of Man on Horse speaks to the authority we must exercise to continue planting the seeds. The blue cyanotype flowers are sprouting from the bottom of the piece. They are modeled after historical bandolier bags and have beaded floral patterns. The flowers represent us in our growth and blooming cycle. This piece is a pre-qual to a later piece, We Carry and continues a conversation with our ancestors. We will continue the cycle, just like our ancestorsβwe will one day be our ancestors, and our future generations will continue to carry on our stories.

Title: War Paint I
by Taiomah Rutledge
Dimensions: 17x11
Medium: Screen Print on Mylar
Price: $300

Joy Harjo
Dimensions: 13x33
Medium: Acrylic on Canvas
A painting of artists grandmother, Naomi Harjo, playing saxophone in Indian Territory.

Title: War Paint II
by Taiomah Rutledge
Dimensions: 17x11
Medium: Screen Print on Mylar
Price: $300
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Title: “Old Roots” / “Registered Land Surveyor’s Inspection Plat and Certificate for Mortgage Loan Purposes”
by Kirk Morrison
Dimensions: 36x36
Medium: found vintage road map, mortgage documents, and paper composite with wheat paste, inkmop and Posca, acrylic, and ink.
Price: $1,444
The background is done by hand, piece by piece with brush and wheatpaste. Found items included a sweet old map, some of my Mvskoke familyβs land and mortgage docs, neighborhood and real estate listings from the desk of the late Donald Green (grandfather of the artist, Koweta, Kaccvlke). The foreground is graffiti inkmop, which the artist did thinking about how the Pasv, Vsse Lopocke, and Mekko Hoyvnecv in this stateβs soil are the same as they were the day we stepped foot here. Things change, but things donβt really change. Black hardline, as always.

Title: Corn by Autumn Gary
Dimensions: 20.5 base, 18w, 45h
Medium: Steel Red Brass, Enamel
Price: $4,444
Guardians/Teachers

Title: Clyde the Big Red Indian Decolonises Tulsey Town by Bobby Martin
Dimensions: 20x20
Medium: Hand-engraved drypoint and archival digital print on Rives BFK paper, 2021-2022, edition of 16
Price: $1,250

Title: White Dog’s Road by Candace Shanholtzer
Ofi Tohbi, the Great White Dog, guided our ancestors on their long journey to a promised homeland, guarding, healing and showing the way. Behind him lies the galaxy, our Milky Way, woven into the cosmos as both map and memory. The Ogee, a Mississippian Period motif, at the top echoes our paths; the road home, the soulβs crossing, the stars above that never forget.
Dimensions: 24x48
Medium: Acrylic on Gallery Wrap Canvas
Price: $6,500

Title: This is Not AI
by Faith Harjo Jones
Dimensions: 8x10
Medium: Framed Antique Ledger Paper, Beadwork
Price: $2,750

Title: Treaties: Osceola by Jeremy Thompson
Dimensions: 16x20
Medium: Acrylic on Canvas
Price: $6,500
Drawing much inspiration from pop culture, I combine history and humor to make these satire versions of the iconic cereal box. I wanted to replace the athletes we hold as heroes with Indigenous heroes that stood against removal.

Title: Ahocetv (To Farm) by Johnnie Diacon
Dimensions: ??x??
Medium: Acrylic on Canvas
Price: $1,500

Title: Enyeckce
by Marly Fixico
Dimensions: Men's shirt 2XL
Medium: Textiles
Price: $400
Translation His/Her/Its strength, power. Seminole Baggy Shirt with "Man on Horse" Patchwork - This Semvnole design represents authority and leadership. Made from cotton fabric and rickrack made by NoHeart Designs 2026 (Marly Nicole Fixico)
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Title: Treaties: Sitting Bull by Jeremy Thompson
Dimensions: 16x20
Medium: Acrylic on Canvas
Price: $6,500
Drawing much inspiration from pop culture, I combine history and humor to make these satire versions of the iconic cereal box. I wanted to replace the athletes we hold as heroes with Indigenous heroes that stood against removal.

Title: Oklahoma City, Oklahoma
by Shane Brown
Dimensions: 30x30
Medium: Archival Digital Print
Price: $1700
From the documentary series, In the Territories, an exploration of the American state of Oklahoma's convoluted histories and their present-day manifestations.

Title: Beautiful Chaos
by Talisha Lewallen
Medium: Reed and Commercial Dye, Natural Cat Tails
On loan from the Cherokee Nation's Chief of Staff.

Title: From Notebook to Narrative by Rebecca Nagle
Dimensions: ??x??
Medium: Handwritten notes and typed manuscript
These handwritten notes and typed pages show part of Rebecca Nagle's writing process. She often begins by writing ideas, questions, and connections by hand before developing them into a finished piece. Seeing both the notebook and the final draft offers a look at how research, storytelling, and writing come together. It reminds us that sharing Indigenous stories often begins with a single idea and grows through careful thought and revision.

Title: Thunderbird
by Autumn Gary
Guardians/Teachers
Dimensions: 20.5 base, 26.5 w 64 h
Medium: Steel Red Brass, Enamel
Price: $4,444

Title: Caddo County, Oklahoma
by Shane Brown
Dimensions: 30x30
Medium: Archival Digital Print
Price: $1700
From the documentary series, In the Territories, an exploration of the American state of Oklahoma's convoluted histories and their present-day manifestations.
