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Still Sovereign

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Title: LANπ“ˆπ’°Ν˜ π“ˆπ’° Dictionary by Alex Deroin

The LANπ“ˆπ’°Ν˜ π“ˆπ’° Dictionary is a collection of notes by Arita Jump, a respected historical figure in Osage History. That was then purchased by the artist through an estate sale, and now through the Dadaist practice of Readymades. Is elevating the function of this dictionary to the status of art by simply choosing to designate it as such. To become a vehicle for public displays of thoughts on the topics of Indigenous Data Sovereignty, Language Preservation, and Survival. The artist asks that only Osages physically interact with these articles of language expression. That will be upheld by internal dialogue with the audience. As an act of sovereignty. For our non-Osage audience, we simply ask you to appreciate this piece.

Dimensions: 12X5

Medium: Readymade

The Long Walk Home- Billy Hensley.HEIC

Title: The Long Walk Home by Billy Hensley

The painting features the silhouette of a young girl walking alone across an open landscape, her small figure set against a vast, fading horizon. Though her form is simple, it carries the weight of history. Her quiet stride speaks of loss, resilience, and remembrance.

Dimensions: 40x16

Medium: Acrylic, glass beads on canvas

Price: $1,200

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Title: Not a Designated Centennial Project by Brent Greenwood

Dimensions: 32.5x40.5

Medium: Mixed Media Assemblage

Price: $7,500

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Title: Generational Voices by Carly Treece

Dimensions: 30x40

Medium: Oil on Canvas

Price: $3,000

Recreation of Joan Hill's Women's Voices at the Council.

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Title: MΔ―Pi “Good Blanket” by Hinglu Huber

Medium: Traditional ribbon work blanket made on American Wool Broadcloth and moire taffeta.

This blanket represents the connection between our people and the land. The designs and colors come directly from natural influences, and is shown with pride in this piece.

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Title: Our Roots Connect Us by Jessi Sands

Dimensions: 9'x3'x3'

Medium: Stoneware, Silver Wire, Deer Leather Cordage

Price: $1,500

My family has lived in Oklahoma for over 186 years after being removed from our ancestral lands in the southeast. Growing up, I heard stories of wild green onions (tafvmpuce), outside of natural germination, were planted here after being brought to Oklahoma by Indigenous people on the Trail of Tears during the removal era. Wild green onions are often deemed as weeds in western society when it comes to maintaining yards. This leads to the harsh removal of wild onions from the land, but usually, they are unsuccessful because once the bulb’s roots are firmly planted, it will thrive year after year. I use this as a parallel to represent my family and ancestors’ resilience, as we were once removed from the land but continue to thrive despite the harsh conditions we have endured. The tafvmpuce (wild green onions) symbolizes each generation of my family who have lived here in Oklahoma, all connected by our roots. I am the 7th generation living on my mvskoke reservation, and my children are the 8th in the center, wrapping around each other. The green onion forms are tattered, cracked, and torn as if scars or wounds from the generational passing on of colonial and generational trauma that comes from assimilation, genocide, and removal. The downward spiral of the forms represents the cyclical nature of life, what gets passed down, lost, repeated, changed, and healed. As someone who has recognized the century-long generational cycle of hurt, I am choosing what to pass on that fosters growth instead of numbing and surviving. The forms that represent my children in the center are whole, unbroken, twisting together as they grow, supported by generations before them as their roots take hold.

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Title: Quantum's by Jeremy Thompson

Dimensions: 16x20

Medium: Acrylic on Canvas

Price: $1,500

Can you put an expiration date on identity? The roots of blood quantum for indigenous people always had the intention of erasure. With every generation, we grow closer to expiration. This Andy Warhol inspired pop art painting uses the classic branded soup can to provoke thinking about the origins and reasons for blood quantum.

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Title: Emvlostetowis
by Marly Fixico

Dimensions: Skirt Length 38" Cape Length 25"

Medium: Textiles

Seminole Patchwork Dress with a skirt with a cape. Made from cotton fabric by NoHeart Designs 2026 (Marly Nicole Fixico)

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Title: The Seeds
by Randi Narcomey

Dimensions: 3'x6.8'

Medium: Mixed Media Textile/Fabric Art

Price: $6,000

The Seeds is a conversation between our ancestors and present-day visitorsβ€”a representation of a first review of growth and the sprouting of our lives from the deep constraints of what existed. It was important to use traditional, familiar patterns that are still found but rarely seenβ€”especially in this format. The light color on light color is a commentary on what was hidden yet not forgotten, especially in the spiral mound design and the Seminole patchwork. The patchwork pattern of Man on Horse speaks to the authority we must exercise to continue planting the seeds. The blue cyanotype flowers are sprouting from the bottom of the piece. They are modeled after historical bandolier bags and have beaded floral patterns. The flowers represent us in our growth and blooming cycle. This piece is a pre-qual to a later piece, We Carry and continues a conversation with our ancestors. We will continue the cycle, just like our ancestorsβ€”we will one day be our ancestors, and our future generations will continue to carry on our stories.

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Title: War Paint I
by Taiomah Rutledge

Dimensions: 17x11

Medium: Screen Print on Mylar

Price: $300

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Joy Harjo

Dimensions: 13x33

Medium: Acrylic on Canvas

A painting of artists grandmother, Naomi Harjo, playing saxophone in Indian Territory.

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Title: War Paint II
by Taiomah Rutledge

Dimensions: 17x11

Medium: Screen Print on Mylar

Price: $300

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Finished work photo.heif

Title: “Old Roots” / “Registered Land Surveyor’s Inspection Plat and Certificate for Mortgage Loan Purposes”
by Kirk Morrison

Dimensions: 36x36

Medium: found vintage road map, mortgage documents, and paper composite with wheat paste, inkmop and Posca, acrylic, and ink.

Price: $1,444

The background is done by hand, piece by piece with brush and wheatpaste. Found items included a sweet old map, some of my Mvskoke family’s land and mortgage docs, neighborhood and real estate listings from the desk of the late Donald Green (grandfather of the artist, Koweta, Kaccvlke). The foreground is graffiti inkmop, which the artist did thinking about how the Pasv, Vsse Lopocke, and Mekko Hoyvnecv in this state’s soil are the same as they were the day we stepped foot here. Things change, but things don’t really change. Black hardline, as always.

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Title: Corn by Autumn Gary

Dimensions: 20.5 base, 18w, 45h

Medium: Steel Red Brass, Enamel

Price: $4,444

Guardians/Teachers

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Title: Clyde the Big Red Indian Decolonises Tulsey Town by Bobby Martin

Dimensions: 20x20

Medium: Hand-engraved drypoint and archival digital print on Rives BFK paper, 2021-2022, edition of 16

Price: $1,250

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Title: White Dog’s Road by Candace Shanholtzer

Ofi Tohbi, the Great White Dog, guided our ancestors on their long journey to a promised homeland, guarding, healing and showing the way. Behind him lies the galaxy, our Milky Way, woven into the cosmos as both map and memory. The Ogee, a Mississippian Period motif, at the top echoes our paths; the road home, the soul’s crossing, the stars above that never forget.

Dimensions: 24x48

Medium: Acrylic on Gallery Wrap Canvas

Price: $6,500

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Title: This is Not AI
by Faith Harjo Jones

Dimensions: 8x10

Medium: Framed Antique Ledger Paper, Beadwork

Price: $2,750

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Title: Treaties: Osceola by Jeremy Thompson

Dimensions: 16x20

Medium: Acrylic on Canvas

Price: $6,500

Drawing much inspiration from pop culture, I combine history and humor to make these satire versions of the iconic cereal box. I wanted to replace the athletes we hold as heroes with Indigenous heroes that stood against removal.

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Title: Ahocetv (To Farm) by Johnnie Diacon

Dimensions: ??x??

Medium: Acrylic on Canvas

Price: $1,500

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Title: Enyeckce
by Marly Fixico

Dimensions: Men's shirt 2XL

Medium: Textiles

Price: $400

Translation His/Her/Its strength, power. Seminole Baggy Shirt with "Man on Horse" Patchwork - This Semvnole design represents authority and leadership. Made from cotton fabric and rickrack made by NoHeart Designs 2026 (Marly Nicole Fixico)

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Title: Treaties: Sitting Bull by Jeremy Thompson

Dimensions: 16x20

Medium: Acrylic on Canvas

Price: $6,500

Drawing much inspiration from pop culture, I combine history and humor to make these satire versions of the iconic cereal box. I wanted to replace the athletes we hold as heroes with Indigenous heroes that stood against removal.

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Title: Oklahoma City, Oklahoma
by Shane Brown

Dimensions: 30x30

Medium: Archival Digital Print

Price: $1700

From the documentary series, In the Territories, an exploration of the American state of Oklahoma's convoluted histories and their present-day manifestations.

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Title: Beautiful Chaos
by Talisha Lewallen

Medium: Reed and Commercial Dye, Natural Cat Tails

On loan from the Cherokee Nation's Chief of Staff.

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Title: From Notebook to Narrative by Rebecca Nagle

Dimensions: ??x??

Medium: Handwritten notes and typed manuscript

These handwritten notes and typed pages show part of Rebecca Nagle's writing process. She often begins by writing ideas, questions, and connections by hand before developing them into a finished piece. Seeing both the notebook and the final draft offers a look at how research, storytelling, and writing come together. It reminds us that sharing Indigenous stories often begins with a single idea and grows through careful thought and revision.

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Title: Thunderbird
by Autumn Gary

Guardians/Teachers

Dimensions: 20.5 base, 26.5 w 64 h

Medium: Steel Red Brass, Enamel

Price: $4,444

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Title: Caddo County, Oklahoma
by Shane Brown

Dimensions: 30x30

Medium: Archival Digital Print

Price: $1700

From the documentary series, In the Territories, an exploration of the American state of Oklahoma's convoluted histories and their present-day manifestations.

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by Lydia Cheshewalla

© 2035 by Sovereign Indigenous Women Powered

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